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Aidan Fallon
Influenced by the lighting and photographic techniques used by cinematographers such as Vittorio Storaro, Conrad Hall and Grag Tolland between the 1930's and the 1970's , Versions of light addresses my…
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Ange Mukeza
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Anna Kiff
Familiarity, recognition, revulsion, curiosity, unease, relief, humour - things I feel on seeing some other artists' work, and emotions expressed by some colleagues on seeing my work. Some of my small…
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Caroline Abbotts
My works embrace the substance of material, its possibilities and our expectations of it. Looking at the world using nanotechnology is the viewing of materials in the finest detail that we may see them.…
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Charlotte Freeston
Having predominantly worked in drawing until now, the last year has seen my practice wholly transform. Boobs on your horizon serves as both a proposition, as well as a solution for regeneration in the…
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Elizabeth Rose
My work often explores niche pastimes, such as going to boot fairs, flower arranging classes, looking at church ruins. Activities that aren't advertised in the normal way by television or newspapers,…
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Helen Lowe
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Jessica Sarah Rinland
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Judith Waring
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Katja Reventlow-Grinling
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Kira Phoenix K’inan
web.mac.com/kiraphoenixkinan/Site/Degree_Show_2010/Degree_Show_2010.html
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Nicholas Murray
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Niina Keks
When we look at something, we look at it through ourselves, through our past, as if we would have this something inside us, or as if we would open up and embrace this outside object into our inside for…
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Rosamund Agunloye
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Rosie Welsh
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Selina Mayer
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Sharron Powley
Based on the premise that you need to see familiar everyday things framed differently to be able to see them properly again, I aim to make the ordinary extraordinary by re-presenting the ostensibly familiar.